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Gotobeat takes its AI touring tech to arenas after selling 150,000 tickets for smaller venues

2 min read Published By Christopher Wieduwilt
Band with a horn section performing on a large stage under bright spotlights at a live show
Photo: @gianspeaking, via Gotobeat / Music Ally

Gotobeat spent two years using AI to fill clubs. Now it wants to fill arenas. The startup, which launched in 2024 with a platform that predicts demand for emerging artists, has opened an arena touring division after selling more than 150,000 tickets in 2025 for small and medium-sized venues. Its first two arena shows land at OVO Arena Wembley in London.

From clubs to Wembley

Gotobeat’s whole model is prediction. It uses AI to forecast how much demand an emerging artist can pull in a given market, then plans shows around that instead of guessing.

That worked at club and theatre scale. The new division tests whether the same approach holds when the room is an arena and the financial risk is far bigger. The opening bills feature US artist Lucki and French-Cameroonian musician TayC, with more shows promised soon.

Our mission has always been to rethink how live music tours are planned and delivered, making touring more sustainable and connecting more fans with the artists they love.
— Pietro Bertini, partner and senior promoter at Gotobeat

Why the jump is a real test

Arena touring is a different game from selling out a 500-cap venue. The economics are unforgiving, and a half-empty arena is a public, expensive miss.

That is exactly why Gotobeat’s demand-prediction pitch matters here. If the AI can route an emerging artist into the right arena market at the right moment, it takes some of the guesswork out of the single riskiest decision in live music. CEO Max Busin was recently nominated for Music Ally’s International Entrepreneur award, a sign the model has been getting attention.

What this means for independent artists

The interesting part is not the Wembley booking. It is that Gotobeat is scaling a system built to grow artists from the bottom up, not one built to squeeze the acts already at the top.

Most live-music tech optimises for headliners. A tool that predicts demand for emerging artists and helps them sell out rooms is aimed squarely at the stage of a career where selling tickets is hardest. If the arena division works, it suggests AI’s most useful role in live music is the same as everywhere else: not replacing the artist, but removing the guesswork around getting real fans into the room. That is the version of AI in music worth rooting for.

Frequently asked questions

What is Gotobeat?

Gotobeat is a live-music startup that launched in 2024 with an AI-powered ticketing and promotion platform. It uses AI to predict demand for emerging artists and help them sell out venues. In 2025 it sold more than 150,000 tickets for small and medium-sized venues.

What is Gotobeat's arena touring division?

It is a new arm of the company focused on arena-scale tours, a step up from the small and medium venues Gotobeat built its business on. It launched with two shows at OVO Arena Wembley in London featuring Lucki and TayC, and the company says more will be announced soon.

How does Gotobeat use AI for live music?

Gotobeat's platform uses AI to predict demand for emerging artists, which lets it plan tours and route shows where the audience actually is. The company frames this as making touring more sustainable and connecting more fans with the artists they follow, rather than guessing at which markets will sell.

Who is performing at Gotobeat's first arena shows?

The first two arena bills at OVO Arena Wembley feature US artist Lucki and French-Cameroonian musician TayC. Gotobeat says more arena shows will be announced soon as it builds out the new division.

About the author

Photo of Christopher Wieduwilt

Christopher Wieduwilt

AI Music Educator & Journalist

Covering AI music tools, industry shifts, and news for music creators and professionals. Twice-weekly newsletter at aimusicpreneur.com.

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